BRENDA BARRIE
NEWS GALLERY RESUME STAGECRAFT PRESS
Email: brendabarrie@gmail.com

Anthology of Reviews


Press 2009


Meet Chicago Theatre's Rising Stars

Chicago Theatre's "Rising Stars" by Chris Jones, theatre critic at the Chicago Tribune
-Chicago Tribune's full article

From Chicago's Stages, the 10 Best Performances of 2009

"Barrie's year to remember included everything from a sensual postulant at Lifeline ("Mariette in Ecstasy") to the malevolent Aunt Dan for BackStage Theatre Company. But it was her work this summer as a struggling Chicagoan in Ellen Fairey's sweet new play "Graceland" that most proved her chops . . ."
-Chicago Tribune's full article

Newcity's Top 5 of Everything 2009: Stage

Top 5 Female Performances in Chicago
-Newcity Stage's full article


Aunt Dan and Lemon

"Barrie, exquisite as always, presents this Svengali with a disarming sensuousness; a mix of faith and pent-up sex, she could be an escaped nun from Black Narcissus.
-Time Out Chicago's full review

"[Barrie] has a very compelling (and shrewdly chilly) take on this dangerous character, and we surely believe that [Lemon] is powerless in her grasp."
- Chicago Tribune's full review

"Aunt Dan (a captivating Brenda Barrie) is far from a sympathetic character, but she allures the audience with a series of eloquent, logical arguments, which she uses to justify everything from Henry Kissinger's ruthless politic of dominance to her many dubious affairs. As a result, the show becomes less of a rant about power, injustice and the limits of human compassion; instead, it's a curious love story - and an absolutely unsettling account of an unlikely monster."
- Centerstage's full review

". . . a treasure trove of dark comedy, as well as a beautifully clinical study of the 1970s (including an amazing rant about the political and sexual prowess of Henry Kissinger). Backstage's production is smart . . ."
-Flavorpill Chicago's full review

"Aunt Dan and Lemon is one of those plays that offers a mixture of intoxicating performances, provocative ideas and eerie treatment on the power of influence. This is a well acted cautionary tale that begs to be seen."
-Chicago Critic's full review

"An assembly of actors whose elocutionary skills have been honed to razor sharpness, creating immediately engaging individuals of palpable originality . . . first seduced by a bevy of alluring personalities (led by stars-in-rise Brenda Barrie and Rebekah Ward-Hays as the title personnel) , then confronted by the monstrosity of their opinions . . ."
-Windy City Times' full review


The Ruby Sunrise

"Ruby's daughter, Lulu (the smashing Brenda Barrie, warm and sharp) works as a script coordinator, and she is besotted by the new writer on staff, an ink-stained wretch named Tad (Michael Patrick Thornton). Their sly banter has a "His Girl Friday" energy to it.
-Chicago Tribune's full review

"Gawlik's direction is brisk delight; the production brims with crackerjack performances. Barrie, as Ruby's daughter, and Thornton, as her writer love interest, are first among equals and the sexiest screwball pair since Hepburn and Stewart.
-Time Out Chicago's full review

"Lulu (the electric Brenda Barrie, most recently a star of "Graceland" at Profiles Theatre) -- a production assistant in the heyday of live television and a young woman possessed of an uncanny feel for the medium -- romances writer Tad Rose (Michael Patrick Thornton, first rate as a gifted, broken-spirited writer) and trusts him with her mother's story. That mother, of course, was Ruby."
-Chicago Sun-Times' full review

"John Gawlik directs an intensely focused cast, led by Brenda Barrie and Michael Patrick Thornton as the romantic crusaders, with noteworthy performances by Alexandra Main and John Kelly Connolly as their savvier elders.
-Windy City Times' full review

"...A beautiful cast headed by Brenda Barrie, Maura Kidwell (a revelation in the second act), Michael Patrick Thornton and Patrick De Nicola (both youthfully eager and emotionally precise), leads us further into Groff's complicated imaginings.
-Chicago Free Press' full review

“John Gawlik's robust production makes the best of Groff's rewarding play . . . he's guided his actors to exceptional work, with Barrie, De Nicola, Main, Connolly and Thornton particularly strong.”
-Centerstage's full review

“Powerful...wonderful performance...sweet and funny...the chemistry is magical...a very positive and loving note that might just bring a tear to your eye...a marvelous job...worth the price of admission.”
-Steadstyle Chicago's full review

“ . . .'I've always been interested in the ways that stories get handed down,' Groff explains. She sees narrative as both a fundamental human need--one whose centrality became even more apparent to her as her daughter, now seven, began telling and repeating her own stories . . .”
-Time Out Chicago's Interview of Rinnie Groff

“Turn off the TV (it's all re-runs anyway) and venture to the Gift Theatre”!
-Chicago Critic's full review


Graceland

“Barrie, a petite blond with a most intriguing face and emotions that run deep, made a huge impression as the star of Lifeline's "Mariette in Ecstasy" earlier this season, and her beautifully modulated work here only confirms her enormous talent. Her chemistry with Challinor -- beguiling in his youthful beauty, and blend of boyish energy and willed calm -- is ideal."
-Chicago Sun-Times' full review

“Graceland, in world premiere at the tiny Profiles Theatre under the deeply sensitive direction of Matthew Miller, centers on a 40-ish brother and sister. The siblings (played, beautifully, by the emotionally luminous Brenda Barrie and the refreshingly honest Eric Burgher) have a variety of complex relationships with this cemetery. "
-Chicago Tribune's full review

“A tone that balances quirky humor and emotional outbursts, a plot that includes wild coincidence and honest revelations. . . It's a very funny and extremely well-acted variation on the tragicomic contemporary character study . . . "
-Centerstage's full review

“. . .a powerful performance . . . Brenda Barrie is outstanding as the lonely suffering Sara. . ."Graceland" mixes comedy, rich characters with an off-beat look into loneliness that unfolds as a terrific night at the theatre "
-Chicago Critic's full review

“The characters are Sara (the remarkable Brenda Barrie, who gets stronger with each play she does) and her brother Sam (Eric Burgher, who adds a lot of the comic touches) and they are at the grave of their estranged father who has committed suicide."
-Steadstyle Chicago's full review

“The show's biggest asset is Brenda Barrie, whose luminous face can tell a thousand stories . . ."
-Chicago Free Press' full review

“Brenda Barrie continues her streak of carefully etched performances."
-Chicago Reader's full review

“ . . . the always-radiant Barrie does what she can to create a journey for Sara that doesn't exist in the script."
-Time Out Chicago's full review

“GRACELAND is staged by Matthew Miller with sensitivity and intelligence. Ellen Fairey's writing is rich with humor and emotional intensity. Brenda Barrie delivers a superbly nuanced performance . . ."
-Copley News

“A major catalyst to our suspension of disbelief is the immediate empathy generated by the actors, guided by Matthew Miller's briskly efficient direction - in particular, the charismatic Brenda Barrie as the grieving Sara and the enchanting Jackson Challinor as her underaged cavalier, although Darrell W. Cox lends a winsome edge to the latter's youth-obsessed poppa . . ."
-Windy City Times' full review


Jeff Awards Announces 2009 Non-Equity Nominations

Evita, Mariette in Ecstasy, Rose and the Rime lead non-Equity Jeff Award nominees”
-Chicago Sun-Times' full review


Mariette in Ecstasy

“The production benefits greatly from a remarkable central performance from a beautiful and honest young actress named Brenda Barrie, who manages to physically set herself apart from everyone else in the production and appear at once more sophisticated and more dangerous.”
-Chicago Tribune's full review

“Brenda Barrie, whose portrayal of Mariette Baptiste, the beautiful young postulant who brings chaos to the Catholic convent she hopes to enter, is nothing short of wizardry - uncanny in its sense of truth, mystery and ambiguity. . . she is nothing short of transfixing in a role that demands just such a charismatic presence.”
-Chicago Sun-Times' full review

"Barrie is a joy to watch as Mariette as she possesses a glow of contentment that focuses on complete honesty . . . one of the finest shows mounted in Chicago this year!"
-Chicago Critic's full review

“Barrie plays the teen-ager with persuasive understatement and modesty. It's difficult to believe if Mariette is a trickster or a hysteric but there is such subtlety and depth in her performance that the matter remains open ended, and properly so.”
-Copley News' full review

“Many questions are asked, and few answers are given, but satisfyingly so. Played by Brenda Barrie with gorgeous vitality constrained by delicate grace, Mariette is passionate - or is she hysterical? Devoted or opportunistic? Saintly or sensual?"
-Time Out Chicago's full review

“Adapted by Lifeline theater ensemble member, Christina Calvit, the script, by turns numinous and wry, retains much of the novels lovely wording and most of its dramatic punch. "
-Centerstage's full review

“This is a powerful production with a solid cast of players. Mariette is played by Brenda Barrie, who is strikingly beautiful and radiates the aura that supposedly has been cast upon her.”
-Steadstyle Chicago's full review

“Director Elise Kauzlaric has assembled a dream-team cast of character actresses, led by the alluring Brenda Barrie, whose performance here, as in the recent Beauty On The Vine, conveys just the right proportions of youthful vulnerability and sly calculation to keep us undecided as to the source of Mariette's self-sacrificing (or self-serving) zeal."
-Windy City Times' full review

“Working with a smart, no nonsense adaptation by Christina Calvit, director Elise Kauzlaric has assembled an incredibly competent cast anchored by the Jeff worthy performance of Brenda Barrie who gives both a physically and psychologically nuanced interpretation of Mariette.”
-ShowBiz Chicago's full review

“Brenda Barrie, who plays Mariette, is absolutely marvelous in her role. Through a display of raw emotion, she is able to create a divine world real enough that you'll wonder if she is the only one who sees it. This is a rising star who should be watched.”
-The Urban Coaster's full review

“This is very much an ensemble piece, but there's no denying that the luminous Brenda Barrie dominates
in the title role.”
-Chicago Free Press' full review


Press 2008


Beauty on the Vine

"Berkman's fine script is smart and his characters are fully developed, especially Lauren and Sweet. Brenda Barrie and Gregory Isaac offered excellent performances."
-Chicago Critic's full review

“[Director Jason Kae] works his usual magic and draws psychologically detailed, emotionally convincing performances from his Backstage Theatre cast. The guy's a genius.”
-Chicago Reader's full review

“A terrific performance by Brenda Barrie . . . She's like someone from 'The Hills,' with a cunning brain.”
-Chicago Tribune's full review

“Director Kae coaxes a game performance from lead actress Barrie.”
-Time Out Chicago's full review

“Brenda Barrie turns in a marathon performance as the always-distinct three Laurens, ably supported by Gregory Isaac and a cast of storefront-circuit stalwarts who inhabit their allegorical characters with serenely unswerving conviction.”
-Windy City Times' full review


How I Learned to Drive

“Reeder’s excellent production is anchored by Barrie's commanding performance. As both the mercurial central character and the more grounded, adult narrator, Barrie takes Li'l Bit from early adolescence to adulthood with sly confidence.”
-Time Out Chicago's full review

"In Matthew Reeder's delicate, straightforward production for BackStage Theatre Company, Brenda Barrie gives a realistic yet dignified portrayal of the adolescent Li'l bit.”
-Chicago Reader's full review


University of Illinois: UIC NEWS, A Profile of Brenda Barrie

“Brenda Barrie's first director advised her, "Tell your story to that one person in the audience who needs to connect with you.”
-UIC NEWS' full review


Press 2007


A Streetcar Named Desire

“The current production at the Metropolis benefits immensely from Brenda Barrie's convincing and stirring performance as Blanche Dubois . . . Barrie's performance as Blanche is mesmerizing, building to a finale that feels truly tragic.”
-Pioneer Press's full review


Waiting for Lefty

“A struggling hack driver (Rob Fagin) breaks up with his girl (Brenda Barrie) because he knows he can't support her and his family on his pitiful wages. "'Maybe later' never comes for me," the girl says sorrowfully, a moment that captures with heartbreaking precision the emotional costs of financial privations.”
-Chicago Tribune's full review

“Odets wrote for actors and actors are what Backstage delivers . . . a relevant and meaningful script, tremendous acting and a wonderful little space.”
-Chicago Critic's full review

“Robert Fagin and Brenda Barrie break our hearts as young lovers doomed by economic circumstance. When the ensemble chants, ‘Strike! Strike!,’ at the one-act’s end, we’re more than ready to march.”
-Time Out Chicago's full review


Press 2006


Caravaggio

“Honest and straightforward . . . it's quite good and very decently acted by this non-Equity cast.”
-Chicago Tribune's full review

“Sunrise-radiant Brenda Barrie, as a brothel strumpet who picks up side gigs posing for post-Renaissance painters, keeps up with [Caravaggio] in the theatrical boudoir.”
-Time Out Chicago's full review

“This is a well acted work . . . Silk Road Theatre Project is emerging as a quality theatre company as evidenced by this fine production.”
-Chicago Critic's full review

“A playful, insightful performance from Brenda Barrie as the prostitute consigned to ‘the garden of evil, the anti-Eden.’"
-Daily Herald's full review

Caravaggio is an approachable drama that tries to examine the thought and feeling behind the transcendent paintings of the great Baroque master. Its messages also demand contemplation for today.”
-Windy City Press's full review

“The cast is confident and captivating. Brenda Barrie's portrayal of Lena, Caravaggio's prostitute-model-female love interest, is exceptionally engaging as she delivers the most compelling passion in her performance.”
-Gay Chicago Magazine's full review


Tango

“The chilling horror of Mrozek's grotesque vision is palpable . . . Mrozek makes it unsettlingly clear how easily well-ordered lives can collapse into craven servility.”
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Chicago Reader's full review

“As esoteric mother and father gaze at their son Arthur with distant confusion . . . Director Bruce knows how to illuminate the contrast brightly, and manages to create some fine stage pictures.”
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Time Out Chicago's full review

"Tango is something of a classic in Europe on the scale of "Death of a Salesman" here in the U.S. and when it debuted, its themes were likely seen as a commentary on the hypocritical platitudes imposed by Stalinism. The ideas certainly resonate today.”
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Chicago Tribune's full review


6 Rms Riv Vu

“Brilliant casting sets lissome Brenda Barrie and exuberant Lee Adam as Anne Miller and Paul Friedman, a delightful pair, magnetically drawn ever so gradually (but inexorably) together.  Great chemistry! They can hold their own against the actors who played these roles in a TV version of the 1972 Broadway comedy: Ala Alda and Carol Burnett.”
-Pioneer Press' full review

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