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Mariette in EcstasyThe Urban Coaster Lifeline's current production of "Mariette in Ecstasy" explores faith and skepticism through the experiences of nuns in a Medieval convent. Adapted by Christina Calvit, from Ron Hansen's contemporary bestseller, it's the story of Mariette Baptiste, who undergoes initiation to join the order of the Sisters of the Crucifixion.
According to Saint Augustine: Faith is to believe what you do not see; the reward of this faith is to see what you believe. As eloquent as that sounds, I side more with Oscar Wilde who wrote "Skepticism is the beginning of Faith." How many of us could accept a strange occurrence as a miracle, even when the manner in which it unfolds follows suit with your spiritual beliefs? It's the question at the heart of Mariette in Ecstasy.
The Sisters lead a quiet life of prayer and devotion until it becomes apparent that Mariette may have had a divine encounter. This shatters the Sisters' unity and creates an air of conflicting acceptance, envy, idolatry and fear. And when nuns and priests start to question the possible presence of Jesus, you know there's trouble.
Lifeline's world premiere play is an absolute masterpiece. From the moment the audience steps into the theater, they are immersed in the world of the Sisters' holy order. Upon the stage sit high castle walls, a balcony, iron bars and a life-size depiction of Christ crucified. Scenic and props designer Alan Donahue left no stone unturned to bring this Medieval-style convent to life. Sound designer Tim Hill displays his imaginative brilliance as he recreates the cadence of the Sisters' daily chores in musical beats.
The Sisters' melodic Gregorian chants also fill the air thanks to the musical direction of Joseph Burt. Lastly, the costumes designed by Branimira Ivanova add an extra touch of authenticity. In her first production with Lifeline, stage manager Stephanie Ehemann has already created a theatrical experience that audiences will talk about for years to come.
Elise Kauzlaric and her cast do a wonderful job of bringing each sister to life. Each nun is complete with her own history, temperament, sense of humor and character development. There is not a single weak link in this chain of dynamic performers.
Brenda Barrie, who plays Mariette, is absolutely marvelous in her role. Through a display of raw emotion, she is able to create a divine world real enough that you'll wonder if she is the only one who sees it. This is a rising star who should be watched.
Patrice Egleston is on point in her role as the loving yet emotionally distant prioress. Sarah Goeden's dramatic facial expressions enable her to use her character, Sister Hermance, as a comedic foil even in the role's creepier moments.
Finally, Brian Perry, with his deep baritone voice, breathes much life into the priest Pere Mariott.
See this production. You will laugh, wonder what you have seen, and question what you believe. This will surely be a competitor for award nominations to come, so get your tickets while they're still available to be had.
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